Write for Bahué!

Bahué and Castle of our Skins are pleased to announce the following sister projects: Black Composer Miniature Challenge (BCMC) and Latinx Composer Miniature Challenge (LCMC)! We’re excited to share platforms, create greater visibility of the global majority, and build even stronger networks of diverse creatives. 

For the Bahué #LCMC 2.0, composers who identify as Latin American or part of the Latin Diaspora are challenged to compose pieces for vocalist Aliana de la Guardia and percussionist Ariel Campos! Each piece must be 30 seconds or less. We strongly recommend pieces to be inspired by themes of Latinidad

Pieces can be scored for:

  • solo vibraphone

  • solo voice

  • voice and vibraphone duo

  • works can be in the preferred language of the composer or poet

Click here to access a list of instruments and a vocal demonstration for clarity.

Auxiliary instruments/sounds may include:

  • Ariel Campos can double on vocals (simple melodies, spoken word, and percussive sounds)

  • Aliana de la Guardia can double on simple percussion (simple rhythms, non-virtuosic noise making, various shakers, bells, tubes, whistles, finger cymbals, common objects (paper, pots and pans, sticks and stones, etc …)

  • Simple electronic playback (no live electronics, please!)

* If you want to use auxiliary instruments, electronics, or think outside of these parameters in any way, please email admin@bahueduo.com BEFORE starting your piece!

Timeline:

  • Pieces are due February 18, 2024 by 11:59PM PT; early submissions are welcome and encouraged!

  • Bahué will record the works in June 2024

  • Bahué will broadcast the performances on social media starting September 2024 (aka Hispanic Heritage Month!)

Late submissions will not be accepted; please submit your miniatures as soon as you can before the submission deadline!

Only ONE piece per composer, please!

How to submit:

Fill out this quick and easy Google Form.  

  • Include your name, email and links to any social media.

  • Include a 100-word bio.

  • Include a professional or creative photo for promotion.

  • Briefly answer the question: “Why do you want to participate in the 2024 #LCMC?”

  • Use the form to upload your score as a PDF only. (Include notation keys, etc… in the PDF file. There should be one file for everything.)

  • Use the form to upload any necessary material for performance in any appropriate format, such as electronic tracks, midi, etc.

Fee:

All composers accepted will be compensated for their submissions, and all accepted entries will be published in a digital anthology. You must be able to accept US dollars to be compensated for your submission.

There is no fee to apply.

Any questions?

Please email admin@bahueduo.com.

WE LOOK FORWARD TO PREMIERING YOUR MINIATURES!

¡Componga para Bahué!

Bahué y Castle of our Skins se complacen en anunciar los siguientes proyectos hermanes: Black Composer Miniature Challenge (BCMC) y Latinx Composer Miniature Challenge (LCMC). Estamos entusiasmados de compartir plataformas, crear una mayor visibilidad de la mayoría global y construir redes aún más sólidas de creativos diversos.

Para el Bahué #LCMC 2.0, los compositores que se identifican como latinoamericanos o parte de la diáspora latina tienen el desafío de componer piezas para la vocalista Aliana de la Guardia y el percusionista Ariel Campos. Cada pieza debe durar 30 segundos o menos. ¡Recomendamos encarecidamente piezas que se inspiren en temas de la latinidad!

Las obras se pueden puntuar por:

  • vibráfono solo

  • voz solista

  • dúo de voz y vibráfono

  • las obras pueden estar en el idioma preferido del compositor o poeta

Haga clic aquí para acceder a una lista de instrumentos y una demostración vocal para mayor claridad.

Los instrumentos/sonidos auxiliares pueden incluir:

  • Ariel Campos puede doblar la voz (melodías simples, palabra hablada y sonidos de percusión)

  • Aliana de la Guardia sabe doblar la percusión simple (ritmos simples, hacer ruidos no virtuosos, varios agitadores, campanas, trompetas, silbatos, címbalos, objetos comunes (papel, ollas y sartenes, palos y piedras, etc.)

  • Reproducción electrónica simple (¡sin electrónica en vivo, por favor!)

* Si desea utilizar instrumentos auxiliares, electrónica o pensar fuera de estos parámetros de alguna manera, envíe un correo electrónico a admin@bahueduo.com ¡ANTES de comenzar su pieza!

Línea de tiempo:

  • Las obras deben entregarse el 18 de febrero de 2024 a las 11:59 p.m. (hora del Pacífico); ¡Las presentaciones tempranas son bienvenidas y alentadas!

  • Bahué registrará las obras en junio de 2024

  • Bahué transmitirá las presentaciones en las redes sociales a partir de septiembre de 2024 (¡también conocido como el Mes de la Herencia Hispana!)

No se aceptarán envíos tardíos; ¡Envíe sus miniaturas lo antes posible antes de la fecha límite de envío!

¡Solo UNA pieza por compositor, por favor!

Cómo enviar:

Complete este formulario de Google rápido y sencillo.

  • Incluya su nombre, correo electrónico y enlaces a cualquier red social.

  • Incluye una biografía de 100 palabras.

  • Incluya una fotografía profesional o creativa para la promoción.

  • Responde brevemente a la pregunta: “¿Por qué quieres participar en el #LCMC 2024?”

  • Utilice el formulario para cargar su partitura únicamente como PDF. (Incluya claves de notación, etc. en el archivo PDF. Debe haber un archivo para todo).

  • Utilice el formulario para cargar cualquier material necesario para la interpretación en cualquier formato apropiado, como pistas electrónicas, midi, etc.

Tarifa:

Todos los compositores aceptados recibirán una compensación por sus presentaciones y todas las obras aceptadas se publicarán en una antología digital. Debe poder aceptar dólares estadounidenses para recibir una compensación por su envío.

No hay ningún cargo por aplicar.

¿Alguna pregunta?

Envíe un correo electrónico a admin@bahueduo.com.

¡ESPERAMOS ESTRENAR TUS MINIATURAS!

 

Write for Castle of our Skins!

For the Castle of our Skins #BCMC 4.0, composers who identify as Black or part of the African Diaspora are challenged to compose pieces for COOS friend Seychelle Dunn-Corbin, saxophonist par excellence! Each piece must be 30 seconds or less. We strongly recommend pieces to be inspired by Black/African indigenous themes (see note below)! Composers who have participated in two (2) previous #BCMCs are NOT ELIGIBLE!

Pieces can be scored for:

- solo sax (soprano, alto, tenor, or baritone)

- multiple saxophones, with one person, and ample time to switch

Auxiliary instruments and other options may include:

- voice (simple melodies, spoken word, percussive and other sounds, subject to editing and suggestions by the performer)

- small and very accessible percussion (objects like paper, pots, pans, keys, etc …)

- simple electronic playback (no live electronics, please!)

* if wanting to use auxiliary instruments, electronics, or think outside of these parameters in any way, please email submissions@castleskins.org BEFORE starting your piece!

Timeline:

- Pieces are due December 20, 2023 by 11:59PM; early submissions are welcome and encouraged!

- Castle of our Skins will record and broadcast the performances on social media starting June 2024 (aka Black Music Month!).

- Late submissions will not be accepted; please send in your miniatures as soon as you can before the submission deadline! Only ONE piece per composer please!

How to submit:

- Please send your piece as a PDF and any necessary material for performance (tracks, notation keys, performance notes/instructions, etc ...) in any relevant format to submissions@castleskins.org

- along with your piece submission, please send a creative headshot and a 100 word or less bio, with any social media handles/website links you would like shared.

For those submitting works based on indigenous themes*, see below for suggestions curated by Shirley Graham du Bois Creative in Residence, dancer Jenny Oliver:

- African mythology (for example, water spirits include Olokun, Yemaya, Agwe, and Oshun, etc … )

- Sankofa (and other African proverbs or West African Adinkra symbols)

- Skywoman (the creator of Turtle Island)

- Geophony (sounds from non-biological natural sources, like the wind, sea waves, lightning, running water, volcanoes, etc)

- Music and Spirituality

- Afro-futurism

- … etc …

*All works, especially those which incorporate indigenous themes, will be considered for pairing with dance featuring Jenny Oliver.

Fee:

All composers accepted will be compensated for their submissions, and all accepted entries will be published in a digital anthology. There is no fee to apply.

Any questions?

Please email submissions@castleskins.org. Please direct all questions regarding the Black Composer Miniature Challenge (BCMC) also to that email. Visit castleskins.org/black-composer-miniature-challenge for more information on Castle of our Skins.

The 2024 #LCMC Composers

Los compositores #LCMC 2024

The 2023 #LCMC Composers

Los compositores #LCMC 2023

  • Paolo Griffin

    I Am I

  • Álvaro Gallegos

    Vamonos a Guyana

  • Joshua Marquez

    refraction

  • Jaime Díaz

    me estimo amimismo en la tierra

  • J. Andrés Ballesteros

    Velando

  • Alex Guerrero

    Explosion

  • Ida Sánchez Tello

    Mirando hacia el Firmamento

  • Dedicación

    We dedicate this season's Latinx Composer Miniature Challenge to the memory of Ida Sánchez Tello (1979-2023). We are blessed to have known her as we worked on "Mirando hacia el Firmamento" for a live premiere in April 2023 and its upcoming LCMC virtual premiere. Rest in power.

    Dedicamos el Latinx Composer Miniature Challenge a la memoria de Ida Sánchez Tello (1979-2023). Ella escribió "Mirando hacia el Firmamento" para el LCMC, que estrenamos en un concierto en vivo en abril de 2023 y tendrá su estreno virtual. Descansa en el poder.

  • Paolo Griffin is a Peruvian-Canadian composer based in Tkarón:to/Toronto whose music explores notions of focused/unfocussed listening, repetition, and formal structures while maintaining a focus on close collaboration and creative spontaneity with the performers he works with. Paolo’s music has been featured in concerts and on the radio by the Resident Orkest (NL), The New European Ensemble (NL), Avanti! Chamber Music (FI), Duo Holz (CA), Freesound (CA), and more. Paolo is also the Artistic and Executive Director of Freesound, a Toronto-based performer’s collective that consists of a core group of the city’s most adventurous young musicians and interpreters of contemporary music.

    NOTE: “I was on a walk by myself in the afternoon of February 1st. My neighbourhood in the West end of Toronto has a good amount of graffiti and public art, most of it very beautiful. On the side of a building I walked by, just off of Dundas St. West, someone had scrawled the words, I am I, in black paint on a white brick wall. Our Winters in Canada can be quite bright, since the cold gives away to near constant sun during the day. I thought the contrast of white and black in the glaring sunlight was very striking. After I began writing this short piece, I remembered the words I had seen written on that building (by the time I started working on this piece, a week later, the words had been removed). Those words became the text for this piece.”

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia. Audio and video editing by Jeffrey Means, Suonovivo Audio.

  • Born in 1979, Álvaro Gallegos is a Chilean music journalist, lecturer, scholar and composer based in Santiago, Chile. He has written for newspapers, magazines, and websites, and has produced CDs, including two albums for Naxos Records. He has composed some twenty pieces, including for solo instruments and orchestral works. In 2017 he won the “President of the Republic” Music Award, and in 2019 the “Domingo Santa Cruz” Award from the Chilean Academy of Fine Arts.

    TEXT/LETRAS:

    ¡Ah! Es la brizna del tiempo último. ¡Sí!

    Vámonos a Guyana, el pasto es más verde allí.

    Written for Bahué's Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA and HC Media in Haverhill, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio.

  • Joshua Marquez is a Philly-based Filipinx-American composer, guitarist, and sound artist whose music explores the liminal space between tone/noise. Searing a sonic imprint of cultural identity, his explorations of the noise spectrum represent alienation and assimilation through the fusion and fission of disparate timbres. Joshua’s music is described as “upsetting and calming in equal measure” with atmospheres that “sink into your skin” (Prism Reviews). Hailed as "cutting-edge" (The Gazette), “expertly crafted” (We Write About Music), "haunting" (The Daily Iowan), and "creepy" (Fanfare Magazine), Marquez's polemic deconstruction and disintegration of sound aims to present music through a decolonized lens. (joshuamarquez.com)

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA and HC Media in Haverhill, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio. Visit https://www.bahueduo.com/lcmc for more information.

  • IDA SÁNCHEZ TELLO studied voice at the National Conservatory of Music and later transferred to Mannes where she majored in Choral Conducting under the tutelage of Mark Shapiro. She studied harmony and counterpoint with Robert Cuckson, Chris Park, and José Suárez. Her first published works were premiered in 2018 in Mexico City as part of the cycle of songs "Testimonios de la Tierra". Aside from music, she also studied Biomedical Engineering. She's currently working as a freelance organist and choral conductor while working on a Spanish mass and an opera based on her hometown's legends.

    NOTE: "I wrote this poem as a hopelessly romantic 15-year-old, never imagining that it would be turned into a song almost 30 years later. While adding notes, rather than doing it in the here and now, I tried to place myself back in León during the spring full of Jacarandas wearing a middle school uniform and tried to impress that simple, yet awakening self into it. Thanks, Ali and Ariel for this great opportunity. It is an honor to have this song performed along with fantastic performers."

    TEXT/LETRAS

    Mirando hacia el firmamento

    contigo, amor

    me doy cuenta de que todo

    lo tengo yo.

    Mirando hacia las estrellas

    sé que las ves,

    podrías decir que son bellas

    más de una vez

    Mirando hacia el infinito

    me encontraré

    y si tú no estás conmigo

    me moriré

    Mirando hacia el universo

    eres mi amor.

    Mirando hacia el firmamento

    juntos, tú y yo

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA, and the Community Music School of Springfield in Springfield, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio.

  • JAIME DÍAZ is a queer, Mexican sound maker based in Glasgow, UK. They are a PhD student at the Royal Conservatoire of Scotland working on how notation strips away marginalized identities.

    TEXT/LETRAS

    como una flor sola

    me estimo a mi mismo en la tierra

    solo soy un cantor

    me pongo triste

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA, and the Community Music School of Springfield in Springfield, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio.

  • J. Andrés Ballesteros is a composer, educator, and speaker based in Cambridge, MA. His works are centered in classical music but include a variety of musical styles, from Latin music to electronics and theater. Andrés regularly works on collaborative projects that engage with youth and community organizations in creating original works around issues they face. He has been recognized for his leadership in working to expand the representation and performance of works by historically underrepresented composers. His work was recently recognized in Ana Francisca Vega’s book Corazón de Mexicanos Como Yo, highlighting 50 Mexican-Americans who broke boundaries.

    TEXT/LETRAS

    Poco a poco me derrito,

    La vela de tus sueños;

    Poco a poco me desvanezco,

    La llama de tus esperanzas,

    Tus esperanzas.

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA, and the Community Music School of Springfield in Springfield, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio.

  • Alex Guerrero’s background as a singer greatly informs his compositions: as an operatic lyric tenor who performs with The Metropolitan Opera and Lyric Opera of Chicago Choruses; as a concert soloist; and as a chamber, concert, and liturgical choral artist who’s performed with the Grammy Award-winning True Concord, the Sephardi Spanish and Portuguese Synagogue (the oldest North American Jewish congregation) and the Choir at St. Thomas Church Fifth Avenue (both in New York City), and the symphonic choruses alongside the world-renown Philadelphia Orchestra and The New York Philharmonic. His setting of “Tenebrae factae sunt” was a prize winner in The New York Virtuoso Singers’ composition competition.

    TEXT/LETRAS

    Seleccionada del poema de Delmira Agustini (1886-1914)

    iSi la vida es amor,

    iQuiero mas vida para amar,

    iMi vida toda canta, besa, riel

    iMi vida toda es una boca en flor!

    Written for the Bahué Latinx Composer Miniature Challenge. Performed and recorded by Ariel Campos and Aliana de la Guardia at Mt San Antonio College in Walnut, CA, and the Community Music School of Springfield in Springfield, MA. Audio and video editing by Jeffrey Means, Suonovivo Audio.

This program is supported in part by a grant from the Springfield Cultural Council, a local agency that is supported by the Mass Cultural Council, a state agency.